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Niki Selken

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Prototype of a responsive fan

September 11, 2014

My first paper prototype combines paper engineering, soft circuits and a new idea. When thinking about my project I imagine the future in 50 years, when climate change has progressed to create temperature extremes and air pollution issues. I want to investigate the way in which we might adapt our clothing and fashion items to address these climate and environmental shifts. 

Hand held fans are traditional in many cultures where people have had to live in warm climates. They provide man made cooling and comfort when it is very warm out. I wanted to use this object as a template for a new kind of fashion and comfort accessory. I imagine a fan that would turn on when you unfold it and sense the particulates in the air and change a series of LEDs to indicate the relative air quality near the user.  As the air gets worse, the fan's led pattern will be more beautiful, brighter, more vibrant. I imagine the fan will look amazing in the very polluted central valley of California and look very simple and plain in the clean sea air of Honolulu, Hawaii.  

My current prototype is a proof of concept of a switch which turns an LED on when the fan is held in the hand. It was constructed with one LED, conductive thread, copper tape, a removable 3V battery, wood and paper.

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I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other.

The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher
I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other. The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher Michel Foucault—a clash between two radically different views of human nature, knowledge, power, and society. Fifteen years later, it feels less like an experiment and more like a prophecy. What’s striking isn’t the technology—by today’s standards the bots were primitive. What’s striking is the question Dorsen was asking: what happens when computation becomes a participant in culture rather than merely a tool? Drawing from transcripts of the Chomsky-Foucault debate, alongside philosophy, literature, politics, religious texts, and internet culture, the bots generate an endless conversation. Sometimes insightful. Sometimes absurd. Often both at once. Watching it now, I can’t help but connect it to the work I’m doing with Claude. Much of the conversation around AI remains focused on productivity, automation, and content generation. But I’m increasingly interested in AI as a new artistic and cognitive medium—a space for dialogue, interpretation, provocation, and reflection. In that sense, Hello Hi There wasn’t really about chatbots. It was about creating conditions for emergence. AI art history didn’t begin with image generators. It includes theater makers, conceptual artists, cyberneticists, and designers who recognized early that the most interesting thing about these systems wasn’t their intelligence—it was the conversations they make possible. The same question feels alive today: How do we design systems that don’t just produce answers, but create new ways of thinking? 🎭 Annie Dorsen, Hello Hi There (2010) Video: https://www.youtube.com/watch?v=3PiwEQQNnBk #AIArt #CreativeAI #AlgorithmicTheater #AnnieDorsen #Claude
Saltwater soul, skin of the sea 🦭🌊 A little selkie magic for my Sacramento birthday—caught between land and ocean, just where I belong ✨ Shedding one skin, stepping into another—this next year feels like transformation 💫 Forever pulled by the tide, no matter where I am 🤍 #SelkieEnergy #BirthdayMagic #mermaidstyle #OceanSoul #MythicMood MakeWaves SeaSpirit

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