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Niki Selken

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Ko Labs: A Theater Collective Dedicated to New Work

July 1, 2011

Ko Labs, founded by Niki Selken, is a Ko-laboratory catalyst for new theater works. Ko Labs an inclusive theater troupe whose core members work with a variety of exceptional local artists to foster the development of original performances. We work as theatrical archeologists, investigating, researching, and hopefully, reconstructing America’s broken body: political body, physical landscape, and social form. We work as an ensemble to excavate incidents from history and recreate landscapes for an audience out of small remnants: a grain of sand, a beaker of water, a newspaper article. Ko Labs believes It is the job of interdisciplinary theater, theater of the artifact, theater of the dreams to recreate, through any means possible a new history, a shared history for the local community and hopefully for America, as divided and disconnected as it has become. For more info about Ko Labs, check out the website here. I have some older pictures of work on my old website.

Source: http://nikiselken.com/wp-content/uploads/2...
In Ko Labs Theater Collective, PERFORMANCE

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I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other.

The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher
I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other. The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher Michel Foucault—a clash between two radically different views of human nature, knowledge, power, and society. Fifteen years later, it feels less like an experiment and more like a prophecy. What’s striking isn’t the technology—by today’s standards the bots were primitive. What’s striking is the question Dorsen was asking: what happens when computation becomes a participant in culture rather than merely a tool? Drawing from transcripts of the Chomsky-Foucault debate, alongside philosophy, literature, politics, religious texts, and internet culture, the bots generate an endless conversation. Sometimes insightful. Sometimes absurd. Often both at once. Watching it now, I can’t help but connect it to the work I’m doing with Claude. Much of the conversation around AI remains focused on productivity, automation, and content generation. But I’m increasingly interested in AI as a new artistic and cognitive medium—a space for dialogue, interpretation, provocation, and reflection. In that sense, Hello Hi There wasn’t really about chatbots. It was about creating conditions for emergence. AI art history didn’t begin with image generators. It includes theater makers, conceptual artists, cyberneticists, and designers who recognized early that the most interesting thing about these systems wasn’t their intelligence—it was the conversations they make possible. The same question feels alive today: How do we design systems that don’t just produce answers, but create new ways of thinking? 🎭 Annie Dorsen, Hello Hi There (2010) Video: https://www.youtube.com/watch?v=3PiwEQQNnBk #AIArt #CreativeAI #AlgorithmicTheater #AnnieDorsen #Claude
Saltwater soul, skin of the sea 🦭🌊 A little selkie magic for my Sacramento birthday—caught between land and ocean, just where I belong ✨ Shedding one skin, stepping into another—this next year feels like transformation 💫 Forever pulled by the tide, no matter where I am 🤍 #SelkieEnergy #BirthdayMagic #mermaidstyle #OceanSoul #MythicMood MakeWaves SeaSpirit

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