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Niki Selken

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World Translation Foundation User Tests

May 21, 2014

I was able to test the website with the two target audiences. Here is a small selection of those tests. 

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In Major Studio 2, Parsons MFADT Tags WTF User Test, emoji
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World Translation Foundation: User Scenario

March 15, 2014

User Background

The primary audience for my project is a tech savvy American man or woman between the ages of 18 and 44  with an interest in Japanese emoji,  art, and language. They are the early adopter sort of person who uses Twitter and Texting quite frequently and enjoys adding content to websites like YouTube, Vine, and Reddit. 

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In Major Studio 2, Parsons MFADT Tags User Scenario, WTF User Test
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AI Design

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Emoji Art and Design

Museum Interaction Design

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Fresh Posts

DATALAND did not appear from nowhere. In 2016, Gray Area and Google presented what has been described as the first exhibition of generative AI art. That same year, Meow Wolf opened a world audiences could physically enter. Later, through Gray Area’s Experiential Space Research Lab, I explored how immersive environments could do more than entertain. They could encourage agency, critical thinking, and new relationships between people, technology, and living systems. Now Refik Anadol’s DATALAND brings those histories together through AI, environmental data, biosensing, and responsive space. The biggest shift is not simply that AI has entered the museum. The museum itself is becoming a living system. I wrote about the longer history behind this Reel, what excites me about DATALAND, and the ethical questions a responsive museum must confront. Read the full story through the link in my bio. #DATALAND #RefikAnadol #AIArt #ImmersiveArt #DigitalArt #MuseumFuture
A lot of the AI conversation right now is about what machines can create.

This story is about what they might help us recover.

Researchers at Santa Clara University have developed an AI Provenance Assistant to help researchers trace artworks stolen
A lot of the AI conversation right now is about what machines can create. This story is about what they might help us recover. Researchers at Santa Clara University have developed an AI Provenance Assistant to help researchers trace artworks stolen during the Nazi era—searching across fragmented historical records and surfacing connections that might otherwise take enormous amounts of time to find. The AI doesn’t decide who owns a work. Humans still have to verify the evidence. But it can help researchers find the evidence. To me, this is a much more interesting vision of AI: not replacing human expertise, but giving people new ways to navigate enormous amounts of human knowledge. And sometimes, helping recover a history someone tried to erase. Read the full NPR story at the 🔗 link in my bio. #ArtificialIntelligence #AI #ArtHistory #DigitalHumanities #CulturalHeritage

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