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Niki Selken

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World Translation Foundation User Tests

May 21, 2014

I was able to test the website with the two target audiences. Here is a small selection of those tests. 

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In Major Studio 2, Parsons MFADT Tags WTF User Test, emoji
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World Translation Foundation: User Scenario

March 15, 2014

User Background

The primary audience for my project is a tech savvy American man or woman between the ages of 18 and 44  with an interest in Japanese emoji,  art, and language. They are the early adopter sort of person who uses Twitter and Texting quite frequently and enjoys adding content to websites like YouTube, Vine, and Reddit. 

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In Major Studio 2, Parsons MFADT Tags User Scenario, WTF User Test
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AI Design

Virtual  Reality

Game Design

Emoji Art and Design

Museum Interaction Design

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I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other.

The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher
I’ve been thinking about Annie Dorsen’s Hello Hi There (2010), a performance in which two chatbots sit on stage and talk to each other. The conversation is inspired by the famous 1971 debate between linguist Noam Chomsky and philosopher Michel Foucault—a clash between two radically different views of human nature, knowledge, power, and society. Fifteen years later, it feels less like an experiment and more like a prophecy. What’s striking isn’t the technology—by today’s standards the bots were primitive. What’s striking is the question Dorsen was asking: what happens when computation becomes a participant in culture rather than merely a tool? Drawing from transcripts of the Chomsky-Foucault debate, alongside philosophy, literature, politics, religious texts, and internet culture, the bots generate an endless conversation. Sometimes insightful. Sometimes absurd. Often both at once. Watching it now, I can’t help but connect it to the work I’m doing with Claude. Much of the conversation around AI remains focused on productivity, automation, and content generation. But I’m increasingly interested in AI as a new artistic and cognitive medium—a space for dialogue, interpretation, provocation, and reflection. In that sense, Hello Hi There wasn’t really about chatbots. It was about creating conditions for emergence. AI art history didn’t begin with image generators. It includes theater makers, conceptual artists, cyberneticists, and designers who recognized early that the most interesting thing about these systems wasn’t their intelligence—it was the conversations they make possible. The same question feels alive today: How do we design systems that don’t just produce answers, but create new ways of thinking? 🎭 Annie Dorsen, Hello Hi There (2010) Video: https://www.youtube.com/watch?v=3PiwEQQNnBk #AIArt #CreativeAI #AlgorithmicTheater #AnnieDorsen #Claude
Saltwater soul, skin of the sea 🦭🌊 A little selkie magic for my Sacramento birthday—caught between land and ocean, just where I belong ✨ Shedding one skin, stepping into another—this next year feels like transformation 💫 Forever pulled by the tide, no matter where I am 🤍 #SelkieEnergy #BirthdayMagic #mermaidstyle #OceanSoul #MythicMood MakeWaves SeaSpirit

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