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Niki Selken

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Prototype of a responsive fan

September 11, 2014

My first paper prototype combines paper engineering, soft circuits and a new idea. When thinking about my project I imagine the future in 50 years, when climate change has progressed to create temperature extremes and air pollution issues. I want to investigate the way in which we might adapt our clothing and fashion items to address these climate and environmental shifts. 

Hand held fans are traditional in many cultures where people have had to live in warm climates. They provide man made cooling and comfort when it is very warm out. I wanted to use this object as a template for a new kind of fashion and comfort accessory. I imagine a fan that would turn on when you unfold it and sense the particulates in the air and change a series of LEDs to indicate the relative air quality near the user.  As the air gets worse, the fan's led pattern will be more beautiful, brighter, more vibrant. I imagine the fan will look amazing in the very polluted central valley of California and look very simple and plain in the clean sea air of Honolulu, Hawaii.  

My current prototype is a proof of concept of a switch which turns an LED on when the fan is held in the hand. It was constructed with one LED, conductive thread, copper tape, a removable 3V battery, wood and paper.

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DATALAND did not appear from nowhere. In 2016, Gray Area and Google presented what has been described as the first exhibition of generative AI art. That same year, Meow Wolf opened a world audiences could physically enter. Later, through Gray Area’s Experiential Space Research Lab, I explored how immersive environments could do more than entertain. They could encourage agency, critical thinking, and new relationships between people, technology, and living systems. Now Refik Anadol’s DATALAND brings those histories together through AI, environmental data, biosensing, and responsive space. The biggest shift is not simply that AI has entered the museum. The museum itself is becoming a living system. I wrote about the longer history behind this Reel, what excites me about DATALAND, and the ethical questions a responsive museum must confront. Read the full story through the link in my bio. #DATALAND #RefikAnadol #AIArt #ImmersiveArt #DigitalArt #MuseumFuture
A lot of the AI conversation right now is about what machines can create.

This story is about what they might help us recover.

Researchers at Santa Clara University have developed an AI Provenance Assistant to help researchers trace artworks stolen
A lot of the AI conversation right now is about what machines can create. This story is about what they might help us recover. Researchers at Santa Clara University have developed an AI Provenance Assistant to help researchers trace artworks stolen during the Nazi era—searching across fragmented historical records and surfacing connections that might otherwise take enormous amounts of time to find. The AI doesn’t decide who owns a work. Humans still have to verify the evidence. But it can help researchers find the evidence. To me, this is a much more interesting vision of AI: not replacing human expertise, but giving people new ways to navigate enormous amounts of human knowledge. And sometimes, helping recover a history someone tried to erase. Read the full NPR story at the 🔗 link in my bio. #ArtificialIntelligence #AI #ArtHistory #DigitalHumanities #CulturalHeritage

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